Bauhaus - All We Ever Wanted Was Everything
Serious music fans are complete and utter weirdos.
I've never met a serious music listener who didn't, at least for a week, have a goth phase. It was always just a matter of whether they reached for Orgy or The Birthday Party - with that range usually determining the short-to-long of it, in that order. There's a natural anti-societal appeal to the idea for those who spend hours upon hours seeking out, listening to and evaluating countless new artists and tracks, often to the substitution of social interaction. Every time someone mentions goth, they always go with Joy Division as the definitive. Buzz. Wrong. Sorry, thank you for playing. Ian Curtis got them a lot of doom and gloom points for checking himself out early, but Bauhaus has always been the prototype. Case in point: this is the most upbeat song they ever did. Despite not being the happiest thing in the world, there is a beauty to it. It's difficult enough to make an interesting song in which an upright bass plays the lead in front of a guitar, but a song with instrumental lead changes is another animal of hard. The flow goes from drab to driven in a way that makes lyrics which are depressing to read turn hopeful and perhaps mildly triumphant. As the band had yet to make their conversion into keyboardism, this complex arrangement with a very minimalist arsenal is a small but significant accomplishment. Okay, you can go put "Bela Lugosi's Dead" on now, and forget they ever made other songs.
